Method Books
It deserves repeating -- a Mellophone is NOT a French Horn. Therefore,
French Horn method books are not appropriate for the Mellophone. Face it
-- the French Horn has a different range, a different focus and different
capabilities. You'll notice most of the recommended method books will be
for cornet and trumpet. Hey, there's no reason why a Mellophone can't have
cornet-like technique!
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Arban's Complete Conservatory Method for Trumpet: The
Granddaddy of all method books, and the one book you MUST have in your
library. If you could only own one book, this would be it.
It's got a ton of stuff in it, and it's all good. I love the
etudes at the end of the book!
-
A Mello Catechism: A Guide to the World of Mellophones and Marching Horns. Dr. John Q. Ericson from Arizona State University has published the first ever book for the Mellophone! It contains lots of good information about the horn and it's use, as well as warm-ups and exercise. A must-have for all Mellophonists.
Flexus: Trumpet
Calisthenics for the Modern Improviser: Don't let the word
"Improviser" scare you -- this is not just for jazz. There are some
wonderful warm-ups and exercises in this book to get any good Mellophonist in
shape.
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The Allen Vizzutti Books:
which include:
Technical Studies for Cornet by Herbert L. Clarke: You want
exercises? You want flexibility? This is from where it all
stems. A good companion is the Clarke
Characteristic Studies.
- Superstar
Etudes: From Wayne Downey's XtremeBrass website come these
volumes of etudes, formerly offered individually through the Etude of
the Month series. These are some excellent etudes. Keep a
watch on the site, as he usually adds more.
-
The Charlie Parker Omnibook: Get the one for B-flat
instruments. If you don't expect to play jazz, these are still
excellent etudes. If you do expect to play jazz, these will teach
you the vocabulary necessary.
-
40 Preludes by J.F Gallay: Actually, the Gallay etudes
come in many different titles and flavors, but they're all basically the
same. You can find the same etudes listed as Celebrated Etudes
or Unmeasured Etudes. Ironically, in the foreword it states
that they "were in some cases found to be pitched too high for the
French Horn in F and for this reason, many horn players although
regretfully, abandoned them." Of course, they fit the
Mellophone perfectly!